
Cast
Miriam Cooper
Acting
Cast
Miriam Cooper
Known for
Acting
Born
1891-11-06
From
Baltimore, Maryland, USA
Died
1976-04-12
Also known as Marian Cooper, Marion Cooper
Biography
From Wikipedia, the free encyclopedia Miriam Cooper (November 7, 1891 – April 12, 1976) was a silent film actress who is best known for her work in early film including Birth of a Nation and Intolerance for D.W. Griffith and The Honor System and Evangeline for her husband Raoul Walsh. She retired from acting in 1923 but was rediscovered by the film community in the 1960s, and toured colleges lecturing about silent films. Description above from the Wikipedia article Miriam Cooper, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The Birth of a Nation
as Margaret Cameron

Evangeline
as Evangeline

Intolerance: Love's Struggle Throughout the Ages
as The Friendless One

The Odalisque
as Annie, May's Friend

Serenade
as Maria del Carmen

Black Shadows on a Silver Screen
as Self (archive footage)

Home, Sweet Home
as The Fiancee

The Prussian Cur
as Rosie O'Grady

I Am Not a Racist
as Margaret (archive footage) (uncredited)

The Darling of the CSA

The Girl Who Came Back
as Sheila

Their First Acquaintance
as Grace Curley

The Hero
as Martha Baker

After the Ball
as Lorraine Trevelyan

Should a Husband Forgive?
as Ruth Fulton

Uncle Tom's Cabin
as Topsy - Aunt Ophelia's Slave

Her Accidental Husband
as Rena Goring

The Deep Purple
as Doris Moore

The Broken Wing
as Inez Villera

Is Money Everything?
as Marion Brand

The Woman and the Law
as Blanquetta La Salle

The Pseudo Prodigal
as The Prodigal's Sweetheart

Daughters of the Rich
as Maud Barhyte

The Confederate Ironclad
as Rose

The Honor System
as Edith

Kindred of the Dust
as Nan of the Sawdust Pile

The Grit of the Girl Telegrapher
as The Boarding House Servant Girl

The Mother and the Law
as The Friendly One

The Silent Lie
as Lady Lou

The Innocent Sinner
as Mary Ellen Ellis

A Railroad Wooing
as Alice Holmes - Jim's Sweetheart

The Burned Hand
as Marietta

Shenandoah
as Madeline West

The Making of 'The Birth of a Nation'
as Self (Archive footage)